Johanna Ralser
Johanna Ralser's practice unfolds at the political and social intersections of the performative, encompassing curatorial as well as other assembling and process-based artistic disciplines. Their work cruises between institutional and self-organized contexts—from university teaching to freelance theatre work and curatorial projects developed within collective structures. Driven by a search for strategies that understand difference as a productive form of relation, Ralser’s research focuses on theories of solidarity, resistance, and care. Learning from and thinking with queer-feminist, decolonial, and discrimination-sensitive positions, Ralser understands these perspectives as resources for imagining the not-yet: worlds beyond patriarchal, capitalist, hegemonic, imperialist, orientalist, antisemitic, fascist, racist, and heteronormative realities.
Johanna Ralser is white, non-binary, queer, and able-bodied, with an autoimmune condition. They were born into a working-class family in a bilingual (Italian/German) region of Northern Italy and currently live in Leipzig, Germany. Ralser has had access to higher education and holds degrees in Stage and Costume Design as well as Curatorial Studies. They are currently pursuing a PhD at the HFBK Hamburg.
Selected work
- 2025
Curatorial Urgencies
A World Café and publication project exploring the possibilities and limits of curatorial practice in times of political, ecological, and social crisis.
- 2023 — 2025
Beyond Orientalism(s) –Towards New Infrastructures
Developed between Lebanon and Germany, the project explored the challenges of transcultural collaboration in times marked by war, displacement, and contested narratives.
- 2025
InterEuroVision
Stage and costume design for InterEuroVision, a performance by Boys* in Sync revisiting the 1968 Intervision festival and its entanglement with European politics, cultural memory, and queer representation.
- 2024
Transforming Memories –Erinnerungen transformieren
Projection mapping for Lichtfest Leipzig that revisited civic movements around 1989 through intersectional and (queer-)feminist perspectives, linking histories of resistance with contemporary forms of political engagement.
- 2023
Embodying Resistance
Collaborative project with activists and cultural workers that explored collective movement as protest, resistance, and political imagination through performance, dialogue, film, and public space interventions.
- 2023
Perspectives on War and Belonging –Contemporary Ukrainian Photography
Exhibition and film program developed with Ukrainian photographers and Odesa Photo Days, assembling documentary and artistic works on war, memory, and survival, and sustaining international exchange after the suspension of the festival.